penpusher: (iTunes)
I'm throwing this challenge off in ways because I'm not following the proper days. This really is supposed to be the "Day 25" Challenge, just to be accurate to the original. Don't sue!

That brings us to the topic of the day on my version of the challenge. Songs that make you laugh are most probably what they used to call Novelty Songs, a song that was most likely a parody of an existing song or a song with wacky lyrics or a strange story.

When I was a kid, there was a show that specialized in just these songs only. It aired late on Sunday Nights and originated from a radio station in Los Angeles. It was called "The Dr. Demento Show" and the host, a Character Unto Himself, would play the music of Spike Jones and Allan Sherman and Ray Stevens... among an enormous grouping of songs that I had never heard played anywhere else. I developed my love for the music of Tom Lehrer from this program.

I was of the geek variety who would attempt to write my own little parodies of the music of the day, inspired by what I was hearing, but I was still too young to do anything with them, I had no actual musical ability, though I did practice piano and had played some clarinet for a bit earlier. And I was nowhere near L.A. so I couldn't drive to Dr. Dememto's studio and play him tapes of my songs, the way a certain Weird Al Yankovic did. The rest, as they say, was music history.

So maybe I wasn't meant to make song parodies, but I certainly knew the ones I liked. And I still like this form of music. Weird Al is the most prolific, still going strong decades after his first charted single: "My Bologna" a parody of The Knack's 1979 hit, "My Sharona", brought him to national attention.

While there's plenty of material to select from in Mr. Yankovic's Catalog alone, I'm going a slightly different way.

Another great source for comedy parodies is NBC's long running comedy/variety program "Saturday Night Live." They've presented a lot of stuff through the years, and although they've never released a comedy album, many of the players on the show have. One of those is Andy Samberg who was a castmember from 2005 through 2012. During his tenure with the program, Samberg did a series of short films titled "SNL Digital Shorts". The films, some of which became wildly popular, were listed as the work of The Lonely Island and almost every one of their songs was a duet, where they were paired with a superstar music performer, like "Shy Ronnie," with Rihanna, "I Just Had Sex" with Akon and what is likely the most memorable of all of the songs from that series, Justin Timberlake, performing "Dick In A Box."

The album Incredibad featured more of that material and I had to select this song becuase it still gets a chuckle out of me... probably because of the intended smack at LL Cool J and his song "Around The Way Girl" included here.

My choice for Day 24 is The Lonely Island - "Punch You In The Jeans"

penpusher: (Pen)
"Detour-Spotting" continues to be the basis for this series of thinkposts Re: why we can't seem to make any progress on the issue of race in America. Jona Olsson's essay is lengthy, wide-ranging and deserves to be examined closely, so I'm going point by point through it to expand on the thoughts she is offering and to clarify the view just a bit.

Today's offering:

6) Lighten Up (lighten? whiten?)

“Black people are just are too sensitive and thin-skinned.” or “Indians should get a sense of humor. We’re just kidding around.” or “I didn’t mean anything racist, it’s just a joke.”


Reality Check and Consequence

Here are racism and agent deletion in partnership again. The problem and perpetrators are exonerated, because the rationale declares that humor isn’t hurtful. This form of denial serves most to trivialize the pain and reality of daily racism.


This is kind of in my wheelhouse as it relates to a topic I know pretty well: comedy.

As a graduate of Ringling Bros. and Barnum & Bailey Clown College, I learned a few important maxims regarding humor, but one of the most essential ones was:

If you had to say it was a joke, it wasn't funny.

And that applies everywhere, no matter the situation, or the people involved. A joke is supposed to make people laugh. If you need to say that your comment was a joke, it definitely didn't work.

Comedy and racism have a long history in this country, with most of it not very funny. There has been a litany of racist jokes, images, stereotypes, artistic renderings, songs, staged performances, cartoons, comics, films, radio and television programs, and, of course, the general public all making fun of minorities.

It would be one thing if that were it and the problem was just the fact that these things existed. But it really goes beyond that. Because people behave based on atmospheres. If it's perfectly fine to make fun of the shape of someone's eyes, the color of their skin, and other elements of who they are, then people will continually do that. And if that happens, there is no sensitivity. There is no empathy. There is no understanding. That's really the reason "Political Correctness" came along: to stem the tide of such commentary.

It's interesting that many people, most especially some high profile politicians, are now making comments about tossing away "political correctness." Really, isn't being "politically correct" is just another way of saying you're being polite? Jokes made at the expense of those less fortunate are never a positive. The phrase "don't kick someone when they're down" was created for such a situation. And that's why it's so puzzling to see a kind of resurgence in this sort of material.

Again, not to assume any of this is straightforward narrative, but when you don't understand the racist atmosphere we collectively live in, it's difficult to understand the actions of black people and why they are offended that there are no dolls that match varying skin tones for their kids to play with or why there was such an outcry over the forty Academy Awards acting nominations over the past two years being all white. This is more than just a joke.

But, of course, all of this is why we need to have an open discussion about racism in America and why we can no longer continue to ignore these issues. It's time to start talking about how these issues affects and impacts all of us, not just minority people, because that contributes to both how we see each other and how we see ourselves.


Previous thinkposts in this series:

1. Day One - I'm Colorblind
2. Day Two - Bootstrap Theory
3. Day Three - Reverse Racism
4. Day Four - Blame The Victim
5. Day Five - The White Knight

A reminder: because of the sensitive nature of the subject, comments directly to this and all previous and future essays in this series are screened. Thank you.
penpusher: (Comedy Central)
Believe it or not, there are some ground rules for comedy. I know it doesn't seem like it these days, especially if you read Facebook or Twitter, but I like to believe that most people in the professional world of making people laugh know and understand that there are certain things you do not do if you are trying to engage an audience, to make them laugh and to make them think.

I've dealt directly with comedy a goodly amount... )
penpusher: (Question)
Bill Cosby has been a fixture on television since the mid 1960s. A Temple University graduate. A Navy man. A stand-up comic with millions of records sold. The first African-American with top billing on a network TV drama ("I Spy"), frequent guest and then guest host on "The Tonight Show Starring Johnny Carson." There were all those commercials for those genuine American products: for Jell-O. For Kodak. For Coca-Cola. and, of course all his own shows, His first sitcom: "The Bill Cosby Show." His Saturday morning cartoon: "Fat Albert and the Cosby Kids." His Variety series: "Cos." And his later work, "The Cosby Show" and "Cosby."

Throughout his career, both on stage and off... )

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