Love, American Child
Feb. 14th, 2016 07:46 pmConsider this a kind of "State of the Love" Address for 2016, via a forty seven year old program.
If you are able to get the Decades Network, and you probably are if you have a CBS affiliate in your area, you might have tuned in to see some vintage programming that they broadcast (and I do mean broadcast, as the station is available, most everywhere, without a cable wire or satellite connection). They hold the lion's share of all of the programs that CBS/Paramount own, and with a lean for putting historic events (and vintage teevee shows) in perspective, they cycle through a lot of material, often linking what they show to the particular date, during the week. That also means, they don't have a set schedule of what gets shown when, so every day it's a surprise of vintage newsclips, forgotten films and talk shows and sitcoms and drama series all tossed together to celebrate an anniversary of an event or birthday of a notable person.
Weekends are a bit different because they do what's called "The Decades Binge," showing dozens of episodes of one series, all in a row and mostly in chronological order of original telecast date. Not to be overtly obvious, they chose to run a marathon of episodes from the series "Love, American Style" this Valentines' weekend.

An anthology series that originally ran on the ABC television network from the fall of 1969 through the winter of 1974, it also went into syndicated reruns on many local channels for many years after that.
The actor appearances on the show are quite notable, as some pretty big names did episodes throughout the run of the program, and many of the familiar names of actors from other long time popular sitcoms made multiple guest shots here, like Bill Bixby, Judy Carne, Larry Storch and Stefanie Powers, among a roll call of stars of that era. But perhaps the most notable and consistent element of the series was an unusual Brass Bed that found its way into the majority of episodes and "blackout" sketches throughout the run.

I decided to watch a few episodes of this show, as I remember being quite taken with it as a kid. The first thing I noted was the scoring of the show. Yes, the iconic theme song (originally performed by The Cowsills, but in the syndicated version only the "Charles Fox Singers") was there, but the incidental music used throughout the episodes really sounded like they wanted to be Burt Bacharach compositions. As an unabashed Bacharach fan, I'm sure part of my attraction to this program was based on this element, that I probably didn't even notice when I viewed it as a kid.
But more importantly, I realized a couple of very disturbing things. The first being that for a show from the era of "Women's Liberation," it was still highly sexist, almost to a disgusting level. Yes, it was a comedy, but for a series that actually could have made a statement about love in a way that gave a positive message, along with some laughs, an opportunity was clearly missed. ABC did a skosh better in that area with their similar anthology series, "The Love Boat," several years after this.
But on a personal note, I realize now that a lot of what I thought about love, how to get it, what it was about, how to behave around someone I was interested in and what it all really meant was, to some degree, shaped by this series. It might have been okay if I actually had a social life to counteract the false messages I was getting from a program like this one, or even if I had some other "relationship" program to watch that might have put it in a better perspective.
There were some clearly "stalking" type behaviors, played for comic effect, some "joke divorce" elements throughout and other really weird material, even for the late 60s and early 70s, when it first aired. I look at this program now and realize just how odd it is to me today, compared to how the me of my grade and junior high school years viewed it.
There is a whole "garbage in - garbage out" quality to some of this stuff that really makes me feel like I never should have heard of this show, let alone watched it after school while doing homework, as this was a terrible socialization method for learning about love, and it wasn't even that good as a sitcom.
If I could go back and tell my younger self one thing, I could have done much worse than telling me to never watch "Love, American Style," and really, that probably goes for this weekend, too.
That's the state of the love, this year.
If you are able to get the Decades Network, and you probably are if you have a CBS affiliate in your area, you might have tuned in to see some vintage programming that they broadcast (and I do mean broadcast, as the station is available, most everywhere, without a cable wire or satellite connection). They hold the lion's share of all of the programs that CBS/Paramount own, and with a lean for putting historic events (and vintage teevee shows) in perspective, they cycle through a lot of material, often linking what they show to the particular date, during the week. That also means, they don't have a set schedule of what gets shown when, so every day it's a surprise of vintage newsclips, forgotten films and talk shows and sitcoms and drama series all tossed together to celebrate an anniversary of an event or birthday of a notable person.
Weekends are a bit different because they do what's called "The Decades Binge," showing dozens of episodes of one series, all in a row and mostly in chronological order of original telecast date. Not to be overtly obvious, they chose to run a marathon of episodes from the series "Love, American Style" this Valentines' weekend.

An anthology series that originally ran on the ABC television network from the fall of 1969 through the winter of 1974, it also went into syndicated reruns on many local channels for many years after that.
The actor appearances on the show are quite notable, as some pretty big names did episodes throughout the run of the program, and many of the familiar names of actors from other long time popular sitcoms made multiple guest shots here, like Bill Bixby, Judy Carne, Larry Storch and Stefanie Powers, among a roll call of stars of that era. But perhaps the most notable and consistent element of the series was an unusual Brass Bed that found its way into the majority of episodes and "blackout" sketches throughout the run.

I decided to watch a few episodes of this show, as I remember being quite taken with it as a kid. The first thing I noted was the scoring of the show. Yes, the iconic theme song (originally performed by The Cowsills, but in the syndicated version only the "Charles Fox Singers") was there, but the incidental music used throughout the episodes really sounded like they wanted to be Burt Bacharach compositions. As an unabashed Bacharach fan, I'm sure part of my attraction to this program was based on this element, that I probably didn't even notice when I viewed it as a kid.
But more importantly, I realized a couple of very disturbing things. The first being that for a show from the era of "Women's Liberation," it was still highly sexist, almost to a disgusting level. Yes, it was a comedy, but for a series that actually could have made a statement about love in a way that gave a positive message, along with some laughs, an opportunity was clearly missed. ABC did a skosh better in that area with their similar anthology series, "The Love Boat," several years after this.
But on a personal note, I realize now that a lot of what I thought about love, how to get it, what it was about, how to behave around someone I was interested in and what it all really meant was, to some degree, shaped by this series. It might have been okay if I actually had a social life to counteract the false messages I was getting from a program like this one, or even if I had some other "relationship" program to watch that might have put it in a better perspective.
There were some clearly "stalking" type behaviors, played for comic effect, some "joke divorce" elements throughout and other really weird material, even for the late 60s and early 70s, when it first aired. I look at this program now and realize just how odd it is to me today, compared to how the me of my grade and junior high school years viewed it.
There is a whole "garbage in - garbage out" quality to some of this stuff that really makes me feel like I never should have heard of this show, let alone watched it after school while doing homework, as this was a terrible socialization method for learning about love, and it wasn't even that good as a sitcom.
If I could go back and tell my younger self one thing, I could have done much worse than telling me to never watch "Love, American Style," and really, that probably goes for this weekend, too.
That's the state of the love, this year.